Posts Tagged ‘Green Emporium’

A Busy Weekend

Friday, August 20th, 2010

 

I’m sure ALL of my readers have these events on their calendars—but here’s a little reminder just in case!
 
First, tomorrow night (Saturday, August 21), Alice Parker and I will trip the light fantastic at the Green Emporium in Colrain, Massachusetts. Friends and fans should plan to come eat pizza, listen with rapture, and of course sing along.
 
I am actually still learning the music for our centennial tribute to Frank Loesser. It’s been a hectic month! I try to tell myself this is a good thing. I wouldn’t want to lose my spontaneity, now would I? 

The program starts at 7:30 pm. Would-be listeners are encouraged to come a bit early as the restaurant doesn’t take reservations.

 
Second, Sunday is the first day of the week-long Blogathon proudly hosted by me (with help from the Massachusetts Department of Agricultural Resources and Mass Farmers Markets).
 
Loving Local: Celebrating the Flavors of Massachusetts coincides with Massachusetts Farmers’ Market week and raises money for Mass Farmers Markets, a non-profit charity that supports farmers markets throughout the Bay State. 

As I type this, we have about 70 blogs scheduled to participate. If you’d like to join in the virtual feast–it’s calorie free!–please see the instructions here. (Don’t you love our wonderful poster/logo, designed by the talented Leon Peters?)

 

Since things are a bit busy today’s recipe is for … water. I got this refreshing idea from Michael Collins, the chef at the Green Emporium. I have put lemon in water for years, but the mint is not only pretty but tasty.
 

 
 
How to Make (Actually, Serve) Water
 
Ingredients:
 
1 pitcher water (preferably delicious New England well water)
1 lemon, thinly sliced and seeded
a handful of mint sprigs
lots of ice
 
Instructions: 

Combine the ingredients and allow them to mellow a bit together before serving. Serves 2 to 8, depending on degree of thirst and size of pitcher.

To Be Perfectly Frank: 100 Years of Frank Loesser

Monday, June 28th, 2010

 
Tomorrow will mark the 100th anniversary of the birth of American composer and lyricist Frank Loesser.
 
Loesser was born on June 29, 1910, in New York City and died in 1969. He wrote or co-wrote some of our most singable songs—“On a Slow Boat to China,” “Heart and Soul,” “Luck Be a Lady Tonight,” “Two Sleepy People,” “Praise the Lord and Pass the Ammunition,” and about 700 others.
 
I’ve read a fair amount about Loesser, but I feel as though I don’t really know him. In books he comes across as contradictory. He rejected his family’s love of classical music yet longed to write an American opera. He was moody and quick to anger yet nurturing of his peers. He worked far too many hours yet loved parties. 

 
The man I can’t quite find in print comes across in his music as brilliant, playful, and intuitive. He knew how to structure a musical number so that it was easy to sing yet constantly surprising. And he knew how to reveal character through song.
 
His Guys and Dolls, to me the quintessential Broadway musical, illustrates this attention to character. Nathan Detroit’s passive yet sincere love for his longtime fiancée shines through “Sue Me.”
 
Sky Masterson shares his love of the city and his secret longing for connection to others in “My Time of Day.” Shy-no-more heroine Sarah lets her wild side peal in “If I Were a Bell.” And Miss Adelaide’s language and lifelong dilemma are defined in “Adelaide’s Lament.”
 
The lament exemplifies one of Loesser’s other strengths—his ability to translate colloquial conversation into music and lyrics. Miss Adelaide’s voice goes up (as mine certainly would!) whenever she gets particularly agitated contemplating her perpetually ALMOST married state: 

When they get on the train for NIAG’RA
She can hear CHURCH bells CHIME.
The COMPARTMENT is AIR CONDITIONED
And the MOOD sublime.
Then they GET OFF at SARATOGA
For the FOURTEENTH TIME!!!
A person can develop la grippe….
 

I look forward to learning more about Loesser tomorrow evening as I remain glued to the TV (well, actually, I’ll probably save some of the material for later viewing via TiVo) watching Turner Classic Movies’ salute to Loesser.
 
The lineup will include How to Succeed in Business without Really Trying (1967; star Robert Morse will co-host the TCM evening!), the 2006 documentary Heart & Soul: The Music of Frank Loesser, and several other films.
 
One of them, the 1943 picture Thank Your Lucky Stars, features Bette Davis singing (!) the first Loesser song I ever performed, “They’re Either Too Young or Too Old.”
 
I couldn’t dream of emulating La Bette’s perfect diction. On the other hand, I can of course sing rings around her.
 
I’ll also learn about Loesser as I rehearse for—you guessed it—MY OWN LOESSER CENTENNIAL TRIBUTE WITH ALICE PARKER! 

This will take place on Saturday, August 21, at the Green Emporium in Colrain, Massachusetts. (See fabulous poster below.)

 
Alice and I are still planning the program so if readers have a favorite Loesser song they should suggest it now! 
 
Meanwhile, in tribute to tomorrow’s anniversary here is a special seasonal cocktail. It’s appropriate for two reasons. First, it was invented by my friend Michael Collins, the chef at the Green Emporium.
 
Second, I MUST have something to hold in my hand when Donald Freeman and I perform “Baby, It’s Cold Outside,” another song that shows off Loesser’s way of turning conversation into song.
 
“Baby” is one of Loesser’s famous overlapping songs, in which characters (in this case “The Wolf” and “The Mouse”) sing complementary music and lyrics over each other.
 
According to Loesser’s daughter Susan, the composer and his first wife Lynn Garland Loesser performed this song privately many times. She quotes her mother as saying: 

We got invited to all the best parties for years on the basis of “Baby.” It was our ticket to caviar and truffles. Parties were built around our being the closing act.

(Time Life)

 
Eventually, Loesser sold the song to MGM to be sung by Esther Williams and Ricardo Montalban in the 1948 film Neptune’s Daughter.
 
Lynn Loesser was deeply saddened, but “Baby” won her husband his only Academy Award for best song. (As time went by he managed to scoop up a couple of Tonys and a Pulitzer as well.)
 
On August 21 as Don (doing his best Ricardo Montalban impression) finishes the line, “Beautiful, please don’t hurry,” I’ll pop in with,
 
“Well, maybe just a half a drink more………….” 

Let’s all raise our glasses to an American original!

 
 
Chef Michael Collins informs me that he was inspired to create this cocktail by my late neighbor Florette, who made a mean rhubarb tea.
 
I have tried it three ways—with rum (as described below) at his restaurant, with a little Grand Marnier at home when I couldn’t find rum, and in “virgin” form with a little pink lemonade for my young friend Audrey. I like it all three ways.
 
Ingredients:
 
for the base:
 
6 cups water
1 cup sugar
2 cups chopped rhubarb
2 cups strawberries, cut in half
1/2 lime
1 tablespoon grenadine (optional–for color; I found with really fresh fruit I didn’t necessarily need it)
 
for the cocktail:
 
1 cup cocktail base (see above)
2 ounces white rum
lime juice as needed for rimming
sugar as needed for rimming
 
Instructions:
 
Bring the water to a boil. Add the sugar and stir. When the sugar has dissolved add the fruit.
 
Reduce the heat to very low and simmer, uncovered, for 20 minutes, until the fruit breaks down. Toward the end of this process add the grenadine if you are using it.
 
Allow the mixture to cool. Remove the half lime (DO NOT FORGET THIS STEP!), and place the liquid in a blender in batches. Blend it; then strain it, first through a strainer (don’t try to push the fuzz down through the holes) and then through cheesecloth.
 
Place it in a jar and keep it refrigerated until it is needed.
 
To make a cocktail (or two): Place the rum in a cocktail shaker, and add ice. Pour in the cup of cocktail base. Shake.
 
Pour a little lime juice around the rim of 1 large or 2 small glass(es), and dip it/them in sugar so that the sugar coats the rim(s). Strain the drink into the glass(es). 

The drink recipe serves 1 to 2. The base makes about 6 cups.

Audrey drank this cocktail with pink lemonade instead of rum.

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Matzo Mania

Monday, March 29th, 2010

 
Passover begins tonight. This eight-day holiday means many things to many people: the survival of the Jewish people in the book of Exodus, the overall history of Judaism, and even the last supper of Jesus.
 
For me, it’s a time to remember my Jewish relatives–particularly my grandparents, whom we always joined for Passover when I was a child.
 
As a food writer, I appreciate the way the whole holiday is structured around food. Each thing eaten at the Seder has its own meaning. In addition, the practice of eating no bread other than unleavened matzo during Passover commemorates the departure of the Jews from Egypt. Their bread didn’t have time to rise.
 
It is also a sort of penance. Eating matzo, pretty much the plainest of breads imaginable, reminds Jews of the trials of their forebears.
 
My grandmother served matzo without much adornment during Passover, occasionally sprucing it up with a little whipped cream cheese for breakfast or lunch.
 
Despite this tradition, I’m always tickled by the idea of getting a little fancier with matzo.
 
This year I have made two simple “matzo plus” dishes I’d like to share with you.
 
The first is Matzo Pizza. I got this idea from the website Kosher.com. Kosher.com’s resident chef, Jamie Geller, created a tasty standard pizza with her matzo—vegetables, cheese, tomato sauce.
 
I’m not such a fan of tomato-based pizza that I can’t wait eight days to have it. I do love asparagus, however. I’m a sucker for the asparagus pizza served in spring at the Green Emporium in Colrain, Massachusetts.
 
That pizza inspired this one. Matzo will never replace yeast crusts in my kitchen year round, but during Passover (or when one is in a hurry) it makes an acceptable, crispy platform for cheese and vegetables.
 
My second recipe today is a treat I’ve enjoyed for years when made by other people, Matzo Crunch. (Beware: many call it Matzo Crack because of its highly addictive properties!)
 
Marcy Goldman of BetterBaking.com invented this confection, which I have adapted a little. I have seen it covered with nuts (pressed into the chocolate when you sprinkle the optional salt). My friend Lark Fleury even makes it during other times of year with saltine crackers.
 
Marcy maintains that you can make the crunch with margarine if you keep kosher and want to eat it with meat. I think the butter adds so much flavor that I would advise you NOT to try the margarine. Just don’t eat the crunch with a meat meal!
 
Whenever and however you make it, I advise you to make sure that you have lots of people to whom you can give the crunch. It really is addictive—and very, very rich. I love to make it—and I love to get it out of the house FAST.
 
Happy Passover……
 
 

Springtime Matzo Pizza

 
Ingredients:
 
10 thin asparagus spears, trimmed and cut into 1-1/2-inch pieces
a splash of extra-virgin olive oil
3 basil leaves, torn into pieces
a sprinkle of red pepper flakes
1 teaspoon lemon zest
1/2 cup pitted ripe olives, cut into small rings
1/3 cup feta cheese, crumbled
1-1/2 matzos (the whole matzo should be halved for easier serving so that you have three halves)
3/4 cup mozzarella cheese, shredded
 
Instructions:
 
Preheat the oven to 375 degrees. Line a cookie sheet with aluminum foil, and lightly oil the foil.
 
Sauté the asparagus in the olive oil for 5 minutes. Remove from heat.
 
Stir in the basil, red pepper flakes, and lemon zest; then toss in the ripe olives and feta.
 
Place the three halves of matzo on the prepared cookie sheet, making sure that they fit together as well as possible. Sprinkle most of the mozzarella cheese on top of the matzo.
 
Spread the asparagus mixture over the cheese, and top with a little more mozzarella. Bake for 10 minutes, or until the cheese melts nicely.
 

Serves 1 for dinner or 2 to 3 for lunch.

 

 
Ingredients:
 
6 pieces matzo, broken into several strips each
1 cup (2 sticks) unsalted butter
1 cup firmly packed brown sugar
1/2 teaspoon vanilla
1-1/2 cups chocolate chips (semi-sweet, white, or some of each—even milk if you like, and I like)
coarse sea salt for sprinkling (optional but yummy)
 
Instructions:
 
Preheat the oven to 350 degrees. Line 2 cookie sheets with aluminum foil, and place parchment paper or silicone mats over the foil. Place the pieces of matzo on top.
 
In a medium saucepan combine the butter and brown sugar. Bring them to a boil, stirring constantly. Boil for 3 minutes. Remove the mixture from the heat and stir in the vanilla.
 
Spoon the sugar mixture over the matzo, spreading it with a spatula to cover the matzo as well as you can. Bake for 15 minutes.
 
Remove the matzo from the oven and sprinkle the chocolate chips on top. After 5 minutes, spread the chocolate with a knife. Sprinkle a little sea salt on top if you wish for additional crunch and flavor.
 

Allow the crunch to cool; then break it into more pieces. Makes about 40 small pieces. Don’t forget to give most of them away!

 

 

 

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My Huckleberry Friend

Friday, November 6th, 2009
Lyricist Johnny Mercer (Savannah Morning News)

Lyricist Johnny Mercer (Savannah Morning News)

 
A Johnny Mercer lyric is all the wit you wish you had and all the love you ever lost.
 
So said Frank Sinatra, one of the great interpreters of American song.
 
The lyricist John Herndon Mercer (1909-1976) would have turned 100 on November 18. His centennial is being celebrated with tributes all over the world and particularly in his hometown of Savannah, Georgia.
 
Naturally, I have to get in the act!
 
Composer/pianist Alice Parker and I will perform a local tribute to Mercer’s music on Friday, November 20, in Colrain, Massachusetts.
 
Mercer wrote the words to hundreds of memorable songs, including “That Old Black Magic,” “Something’s Gotta Give,” “Jeepers Creepers,” “Days of Wine and Roses,” and “The Autumn Leaves.”
 
Perhaps because he worked with many different composers, Mercer’s legacy is a little dimmer in the popular mind than those of lyricists such as Cole Porter, Ira Gershwin, and Oscar Hammerstein II. Singers like me love to perform his songs, however.
 
The Sinatra quotation says it all. Mercer produced brilliant, lively numbers like “Accentuate the Positive” and funny ones like “Lonesome Polecat” from the film Seven Brides for Seven Brothers. Sung by lonely woodchoppers, it offers one of my all-time favorite lines: “A man can’t sleep when he sleeps with sheep.”
 
And then Mercer hit the ear with a lyric of love and longing like “Blues in the Night” or “Come Rain or Come Shine.” Sometimes it’s all a singer can do to get through these songs without crying.
 
A couple of my favorite Mercer lyrics are among his more obscure works. I’m a sucker for a sweet tune called “Lullaby” from the short-lived Broadway show Saint Louis Woman, which he wrote with composer Harold Arlen in 1946.
 
It tenderly evokes memories of early childhood and laments our collective inability to recreate the feelings we had in our parents’ arms.
 
I also relish one of Mercer’s earliest songs, “Satan’s Li’l Lamb,” a collaboration with Arlen and lyricist Yip Harburg. The three threw it together for an African-American review in New York in 1932.
 
As soon as the great Broadway belter Ethel Merman heard it she ran out and recorded it. The music and lyrics are bluesy and sad but also funny and self-deprecatory, full of jazz rhythms and chords.
 
“Satan’s L’il Lamb” also winds up with a high, dramatic passage. High, dramatic passages are better than candy to us sopranos!
 
In addition to writing songs, Johnny Mercer was an influential performer and a pioneer in the recording industry.
 
He began his career as an actor and singer; he sang with both the Paul Whiteman and Benny Goodman Orchestras. In his prime he hosted regular radio shows in which he performed and promoted his own songs and those of his peers.
 
Savannah Morning News

(Savannah Morning News)

 
In the 1940s he founded Capitol Records, the first major record company on the west coast and a music institution for years to come. It emphasized quality recordings, fairness to composers and musicians in paying royalties, and the development of new talent.
 
As both a writer and a performer Mercer had a knack for the vernacular that charmed his audience and knocked down doors. Savannah justly claims him as its favorite son; his temperament and artistic sensibility were authentically Southern.
 
His Southern streak carried disadvantages. Like his fellow sons of the South Tennessee Williams and William Faulkner, Mercer was an alcoholic.
 
Overall, however, his background stood him in good stead. It enabled him to blend much of the South’s character into his music: its slow pace, the African-American songs he sought out in his youth, the folk music of his Scottish-American heritage.
 
He wove the landscapes and the sounds of his childhood into his lyrics—the huckleberries he picked as a child, the meadows and the rivers in which he played, the “whoo, whoo” of the trains that passed through town, the lilt of his mother’s Southern accent.
 
I champion American popular music of all eras. I’m conscious, however that we don’t have lyricists like Johnny Mercer today—versatile poets with an ear for the rhythms of American life and the verve to promote their songs with humor and intelligence. As a historian, singer, and member of the public I’m enjoying getting to know his music better. 

His song poems can tell stories as they do in “One for My Baby,” in which the narrator talks about his lost love to a bartender. They can act as traditional love ballads as in “I’m Old Fashioned.” Or they can string together images and sounds to convey a patchwork of emotions as in “Moon River”:
 
 Two drifters, off to see the world.
There’s such a lot of world to see.
We’re after the same rainbow’s end.
Waiting ‘round the bed.
My Huckleberry friend,
Moon River and me.
 
All of us should take time on November 18 to sing a Mercer tune and or/listen to some of the music of America’s Huckleberry Friend.
 
The Johnny Mercer Foundation’s web site has a “Johnny Mercer Jukebox” listeners can play. And Turner Classic Movies is featuring his film music every Wednesday during November.
 
“Blues in the Night,” my program with Alice Parker, will take place at the Green Emporium on Friday, November 20, beginning at 8:30 pm. Pizza, cocktails, and dessert will be served. Reservations are suggested; the restaurant’s number is 413-624-5122.
 
If you’d like a huckleberry recipe (one of my readers wanted one after looking at this post!), please see my post on Huckleberry Friendship Bars. Mercer lovers might also like to try the “Blues in the Night” barbecue sauce…….
 
twbluesweb
 

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Eternal Spring in Colrain

Wednesday, July 22nd, 2009
Michael Collins is ready to start making pizza.

Michael Collins is ready to start making pizza.

 

The Green Emporium in Colrain, Massachusetts, is a happy, busy place these days. Chef Michael Collins and his partner, manager Pacifico “Tony” Palumbo, have achieved something few restaurateurs (or even non-restaurateurs) have managed. They have successfully reinvented themselves—or at any rate their restaurant.

 

More than a decade ago the pair opened the Green Emporium as a high-end eatery. Michael used his culinary training and imagination to transform as many local ingredients as possible into “country fusion” cuisine. Tony, who is an artist, decorated the restaurant (a former church) with colorful neon art and paintings. The pair acted like true hosts rather than just proprietors of the restaurant.

 

To make the place more fun they offered jazz on many weekends. (In the interest of full disclosure I should add that they frequently featured a chanteuse named Tinky Weisblat.) The Green Emporium began to attract diners from all over New England.

 

The menu and ambiance drew notice from the Boston Globe and Yankee, not to mention local papers. Nevertheless, keeping the place going proved a challenge—particularly in the winter, when even lovers of great food were reluctant to navigate the steep hill from Greenfield, our county seat, to quiet Colrain.

 

Michael and Tony, both in their 60s, longed for a simpler life. “I got burned out being behind the line and doing everything,” Michael told me recently.

 

They put the lovely old church on the market but ran straight into the real-estate crisis. For a couple of years the building sat empty, and its owners suffered financially.

 

According to Michael, it was Tony who came up with the idea of reopening the restaurant as a pizzeria. “With the new economy,” the chef said wryly, “the only thing I could do was try.”

 

He visited myriad pizza parlors to determine which features he liked best in a pizza. He decided he wanted a hand-stretched crust, “because that’s what gives you the chewy and the crispy.”

 

Michael worked at creating his own crust for quite a while. “I think it was six months,” he told me with a smile. “We were constantly having pizza.” Using tiles in his oven at home, he finally came up with a crust that satisfied his palate.

 

Michael is not giving out the recipe for his crust. He advises home cooks to purchase pre-made pizza dough from a grocery store but cautions them to let it rest a bit before stretching it. He did reveal that his crust includes extra-virgin olive oil, a touch of organic raw sugar, baker’s yeast, and sea salt. He emphasized the importance of good Colrain spring water to the final product.

 

“Toppings were not a problem,” he added with a laugh, explaining that ideas for novel pizza toppings come to him all the time.

 

Past and current favorites have included an apple and cider pizza; pizzas featuring local mushrooms from New England Wild Edibles and goat cheese from Hillman Farm; and now that summer is here a classic Pizza Margarita with fresh tomatoes and mozzarella. When new potatoes come in Michael intends to pair them in pizza with extra virgin olive oil, rosemary, and gorgonzola.

 

The restaurant reopened in the fall of 2008 as Mike and Tony’s Pizzeria at the Green Emporium and became an immediate success. Michael leaves the manning of the giant pizza oven (which takes three hours to preheat) to young assistants. This leaves him free to work on soups, salads, his signature “Mussels Emporium,” and new pizza toppings.

 

“People know it’s still the Green Emporium so they expect a little something extra,” Michael Collins said with a twinkle in his eye.

 

The Green Emporium is open Thursday through Sunday evenings for diners or those who wish to take food home. If customers give him notice, Michael can prepare a gluten-free pizza.

 

Here is a recipe for one of his signature pizzas, one that represents the extended spring diners in New England enjoyed this year—and also the spring that the restaurant has enjoyed in its rebirth. It features my favorite vegetable!

 

Colrain Spring Pizza

 

Ingredients:

 

1/2 to 1 pound asparagus (to taste)
1/2 cup extra-virgin olive oil plus 1/4 cup later
1/4 teaspoon red pepper flakes
1/2 cup grated Parmesan or Romano cheese (plus 3 to 4 tablespoons later)
1 teaspoon lime or lemon zest
1 teaspoon lime or lemon juice
1/4 teaspoon sea salt
1-1/2 pounds pizza dough
1 heaping cup shredded mozzarella cheese, plus 1/4 cup later
a sprinkling of cornmeal
small pieces of cooked chicken to taste (optional)

 

Instructions:

 

Trim the bottoms off the asparagus spears, and cut them in thirds. Combine the 1/2 cup oil, red pepper flakes, 1/2 cup grated cheese, zest, juice, and sea salt. Toss in the cut asparagus spears, and let the mixture sit overnight.

 

The next day bring the pizza dough to room temperature and preheat the oven to 500 degrees. Place the dough on a round pan on which you have sprinkled cornmeal. Gently stretch the dough to a 16-inch diameter.

 

Using a brush or spatula, brush oil around the outer edge of the circle of dough; it should go from the very edge in about 1-1/2 to 2 inches. Sprinkle the heaping cup of mozzarella cheese evenly over the dough.

 

Place the marinated asparagus spears around the circle to resemble spokes of a wheel or a pinwheel design. The idea, according to Michael Collins, is that “each piece [of pizza] will get more than its share of asparagus. You want it a little bit rustique.”

 

Sprinkle the remaining mozzarella on top, “cementing the asparagus in.” Follow with the remaining grated cheese.

 

“You want to add chicken? You can add chicken,” Michael says of this stage.

 

Bake the pizza for 10 to 12 minutes, or until it is crispy and bubbly. (Readers who have made pizza with tomato sauce will be surprised at how quickly this dryer pizza bakes, Michael notes.)

 

Let the pizza rest for a few minutes before eating and slicing. Serves 8 as a main course or 16 as a first course.

Colrain Spring Pizzaweb